The story unfolds through authentic dialogue and a nonlinear narrative that shifts fluidly among Vera’s present perspective, flashbacks that illuminate the tragedies she’s endured, brief and often humorous interpolations from “the dead kid,” Vera’s father and even the hilltop pagoda that overlooks their dead-end Pennsylvania town. As with King’s first novel, The Dust of 100 Dogs (2009), this is chilling and challenging stuff, but her prose here is richly detailed and wryly observant. In the aftermath of Charlie’s sudden death, Vera is set adrift by grief, guilt and the uncomfortable realization that the people closest to her are still, in crucial ways, strangers. Vera and Charlie are lifelong buddies whose relationship is sundered by high school and hormones by the start of their senior year, the once-inseparable pair is estranged. "A harrowing but ultimately redemptive tale of adolescent angst gone awry. Kirkus Reviews, starred review, September 15, 2010:
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